















| Lisbon and music |
Venues & Orchestras |
History |
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| From
the 13th century, religious music flourished in the monasteries, especially
in the Santa Cruz monastery in Coimbra, which two centuries later would
play a major role in the genre of a cappella singing.
Encouraged from very early on by certain kings, music became widespread in Portugal. Music gained further momentum with the expansion of Portugal and its growing wealth in the 17th century. Polyphony developed thanks to the different schools, such as that of Manuel Mendès, one of the greatest Portuguese composers and one of the founders of the School of Evora. Instrumental music developed considerably during the reign of João IV (1640 - 1656). With the first performance of an Italian opera in Lisbon in 1682, the taste for the Italian style became established for nearly two centuries, and concertante music was then abandoned in favour of opera. Encouraged by João V, who even sent composers to Italy to complete their education, opera occupied a predominant position in Lisbon, which at the beginning of the 18th century had four opera houses. The first performances were held in the theatre of the Royal Palace of Ribeira, where in 1733 one of the first Portuguese operas, La Pazienza di Socrate, by F. A. Almeida was performed for the first time. In March 1755, one of the finest European theatres, the Teatro dos Paços de Ribeira (Opera-Theatre of the Tagus) opened, an expression of Portugal’s power as well as of the taste of the people of Lisbon for opera. The tragic earthquake of November 1755 devastated this brand new building. In the late 18th century, secular music in the form of sentimental ballads called Modinhas grew popular. This period also saw the construction of the São Carlos theatre, a replica of the theatre of the same name in Naples, and the discovery of the Portuguese composer, Marco Portogallo. During the 19th century, both serious and comic opera were performed. Symphonic music only began to develop around 1830, due to the impetus given it by its first Portuguese exponent, J. D. Bontempo, who founded the “Philharmonic Society”, then the Lisbon Conservatoire. From then on, concerts were held regularly, introducing people to the great European composers. The very beginning of the twentieth century saw the birth of the modern Portuguese school, influenced by the leading European innovators. Francisco Lacerda and J. Braga Santos were the first of a generation, carried on today by composers such as R. Peixinho (1940) and Emmanuel Nunes (1941). Fado |
Fundação
Calouste Gulbenkian - www.musica.gulbenkian.pt
Teatro
Nacional de São Carlos - www.saocarlos.pt Orquestra
Sinfonica Portuguesa Orquestra
Metropolitana de Lisboa Centro Cultural
de Belém - www.ccb.pt/ccb/ Coliseu
dos Recreios - www.coliseulisboa.com Pavilhão
Atlântico - www.pavilhaoatlantico.pt |
Founded
by the Phoenicians in 1200 BC, Lisbon was occupied by the Romans in
the 2nd century AD, then by the Visigoths in the 5th century AD. In
711, Muslims (the Moors) invaded the Iberian peninsula. They established
a strong presence, except in the north where the Christian kingdoms
organised resistance and gradually pushed the invaders back towards
the south. In 1383, Fernando I of Portugal,
the last king of the dynasty of Afonso Henriques, died without a male
heir. He left a daughter, Beatriz, who married King Juan II of Castile.
This king claimed his wife’s heritage, the Portuguese crown. But
Fernando’s half-brother João was named as his successor.
He was proclaimed king in 1385, as João I. On 15 August 1385,
at Aljubarrota, the Portuguese won a victory against the Castilians.
The kings that followed João I formed the Avis dynasty which
continued to reign until 1580. It is thanks to the Avis dynasty that
Lisbon, a European city, became a world centre for trade and culture.
It was from Lisbon that the ships set sail to discover the new world.
At the end of the 17th century, Brazilian gold allowed the construction of many palaces and sumptuous buildings. But in November 1755 the city was partially destroyed by an earthquake, followed by a tidal wave and a fire. Reconstruction work began in 1760, under the direction of a man imbued with the spirit of the Enlightenment, the Marquês de Pombal, then Prime Minister of King José I, who redeveloped the city in a distinctly modern style. The whole lower part of the city, the Baixa, as we see it today, is the result of this reconstruction. A rational and modern European capital, “Pombaline” Lisbon turned its back on Baroque principles of art and architecture to become a genuine “city of the Enlightenment”. In 1807 Napoleon arrived
in Lisbon and the royal family fled to Brazil. Thanks to a treaty signed
with the English, the war continued, led by English Generals, including
Beresford and Wellington, who succeeded three years later to drive back
the French Emperor. As a consequence of the exile of the king, which
lingered on, pro- and anti-monarchists went on fighting one another
for a long time, but the monarchy was finally abandoned on 5 October
1910 and the republic proclaimed. The “Carnation Revolution”
(25 April 1974) marked the end of authoritarian government in Portugal,
when a military movement overthrew the government of professor Marcelo
Caetano and re-established democracy. The “Carnation Revolution”
brought democratisation, modernisation and the opening up of the country
to the world. For instance, in 1986, Portugal joined the European Economic
Community. |




Lisbon,
the door to the New World
Some
Highlights / Food & Drink / Things to Do / Web Sites
| Architecture |
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Architectural ruins in Portugal, among other relics,
date from prehistoric times. Stone monoliths and dolmens, built during
the Stone Age between 5,000 and 6,000 years ago, have been found across
Portugal. The prosperity
that came from Portugal's overseas ventures in the fifteenth and sixteenth
centuries produced a heavily decorated style of architecture known as
Manuelino. Manuelino art appeared at the end of the
Gothic period, and is set in between this style and the Renaissance
era (1490 - 1540). The characteristics are elements of marine flora,
shells, ropes, sails and twisted columns. Two particularly
Portuguese architectural items are pelourinhos - decorated
stone columns erected in towns and villages as a symbol of the local
authority and azulejos - glazed tiles used to decorate
palaces, churches, houses and other buildings. Renaissance flair was introduced into the country by French architects in the 16th century. See: Igreja de São Roque in the Bairro Alto district The Pombal
style was that instigated in Lisbon by the Marquis de Pombal
when he rebuilt after the great earthquake. This is civic architecture
of a severe style; sobriety and regularity marked the Pombaline buildings.
The old city centre was divided into squares of long avenues and cross
streets. Architecture was submitted to the whole spatial composition
and important anti-seismic measures were taken. |
The
historical quarters of Lisboa are generally in the city centre. Some still
retain the old structures of Muslim and medieval origin, with courtyards
where people usually get together. The typical features of these quarters
are old houses, narrow streets, wrought-iron balconies, tiled façades
and a friendly, welcoming atmosphere.
Alfama,
Castelo and Mouraria Bairro Alto,
Chiado and Bica Baixa Belém Palácio
de Fronteira Tram 28
|
Jardim Botânico da Ajuda Jardim
da Fundação Calouste Gulbenkian Surrounding area Sintra
(20 km from Lisbon) Templários Leiria Fátima
|
| Musées
Fundação Calouste Gulbenkian A private Portuguese institution, founded in 1956 by Calouste Gulbenkian, which funds exhibitions, courses, congresses, concerts and a wide selection of performance arts. Its headquarters are located in the Parque de Santa Gertrudes, Lisbon, where there is a permanent exhibition of contemporary Portuguese and foreign sculpture, along with the Gulbenkian Museum and Art Library, the José de Azeredo Perdigão Centre of Modern Art and the Children's Art Centre (CAI). The museum has temporary exhibitions throughout the year as well as a permanent collection that includes European painting from the 15th century, furniture, jewellery and ornamental French arts. Museu
Nacional de Arte Antiga Museu do
Chiado Museu Nacional
do Azulejo Museu Nacional
de Arqueologia Museu da
Cidade Museu-Escola
de Artes Decorativas Portuguesas da Fundação Ricardo Espírito
Santo Silva Museu Nacional
do Teatro Museu Nacional
de Etnologia |
Palácio
Belmonte (5*) Tel.: +351 21 881 66 00, Fax: +351 21 881 66 09 www.palaciobelmonte.com Located in the "Alfama", on the eastern side of the hillside of Lisbon's St George's Castle, the present Palácio building dates back to 1449. The ambiance of Palácio Belmonte is both elegant and comfortable. Four Seasons
Hotel Ritz Lisbon (5*) Hotel Avenida
Palace (5*) Hotel Real
Palácio (5*) York House
- Convento dos Marianos (4*) |
Clara
Campo dos Mártires da Pátria 49 Tél. : +351 5 30 53 Fax : +351 21 885 20 82 In the city centre, with a beautiful terrace. Elegant establishment perfectly featured. Pleasant decoration, total comfort and welcoming atmospher. Casa do
Leão Casa da
Comida Gambrinus
Conventual
Consenso
|
| Associação
Turismo de Lisboa Official
site of the city of Lisbon Portugal’s
official tourism website Guides of
the city Portugal
Travel Guides Cultural
calendar of Lisbon Pictures
of Lisbon Map of Lisbon Portuguese
Museums |