













| Brussels : A city bubbling with excitement |
History |
Architecture |
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| Théâtre
Royal de La Monnaie - De Munt : Programme see calendar.
Opened in 1700 and made a public institution in 1963, La Monnaie - De Munt opera house (officially bilingual) is one of Europe’s oldest cultural institutions. The first opera performances in Brussels were held in a theatre built by Paolo and Pietro Bezzi on the site of a workshop where coins were minted (hence the name). Lully and the most fashionable composers in Europe and above all Paris were on the programme. In 1819, William I gave the town a new modern theatre. Works by Grétry, Méhul, Boieldieu and Auber met with huge success at this venue. Indeed it was shortly after a performance of Auber’s Mute Girl of Portici, in August 1830, that the Belgian Revolution broke out. The theatre burnt down in 1855 and was rebuilt by Josef Poelaert. From that time on, Gounod, Berlioz and Thomas became favourites with the public and grand opera occupied the stage. Many works were premiered there, Hérodiade by Massenet, Sigurd by Reyer, Le Roi Arthus by Chausson etc. But Brussels was also distinguished for hosting the first performances in French of great works by foreign composers, notably Wagner (Lohengrin, the Ring cycle, Parsifal) and then Britten after the war (The Rape of Lucretia, Peter Grimes…). La Monnaie - De Munt acquired an international dimension in the world of opera under the direction of Gérard Mortier who brought in great men of the theatre (Luc Bondy, Patrice Chéreau) for his productions. Since 1992, the passionate Bernard Foccroulle has continued to call on great stage directors and set designers, on artists from other fields such as Anne Teresa De Keersmaeker (choreographer in residence) and on exceptional artists such as Antonio Pappano, musical director. The programming is still focused on the great repertoire and is expanding towards the baroque. The creative policy remains a lively one and a new opera is put on every year (Reigen and Wintermärchen by Boesmans, composer in residence, Medeamaterial by Dusapin or more recently Œdipe sur la Route by Bartholomée). This Opera House, one of the most beautiful historic buildings in Belgium, is open for tours by visitors. The Orchestre National de Belgique : Programme see calendar. Established in 1936 under the patronage of Queen Elisabeth, the vocation of this orchestra is to give symphony concerts in the Brussels-Capital region, throughout Belgium and abroad. It has been directed by great conductors such as Erich Kleiber, Hans Knappertsbush, Karl Böhm and Pierre Monteux. In 1958, André Cluytens, its full-time conductor, brought the Orchestre National de Belgique international renown. In 1969, Michael Gielen took up the direction and extended its repertoire to contemporary music. He was later succeeded by André Vandernoot, Georges Octors, Mendi Rodan and Ronald Zollman. The orchestra kept its very extensive repertoire that ranged from classical and romantic works to 20th century pieces and film music. Since its foundation, it has been the favoured guest of the Palais des Beaux-Arts but travels abroad frequently. Indeed, the orchestra has visited no less than seven countries since 1994 and travels throughout Belgium just as regularly. In 1998 it was invited to Oviedo and Madrid where it played with, among others, the orchestras from La Scala in Milan and the Wiener Symphoniker. Since 1999, the orchestra has accompanied the finalists of the famous Concours Reine Elizabeth music competition. The
Societe Philharmonique de Bruxelles :
Programme
see calendar. |
The name “Bruocsela” (“residence in the marshes”) appears for the first time in a charter of 966, when Charles, Duke of Lotharingia, had a castle built on the island of Saint-Géry. The excellent strategic situation of this platform allowed the development of the town that grew up around the castle. The year 979 is recognised as the date of birth of Brussels. The town subsequently developed trade and manufacturing, established a middle class and acquired its own administration. Around 1100, a protective rampart was built around the town. At the death of Duke John III, Count of Flanders, Louis de Male, taking advantage of the situation, took possession of Brussels. But, two months later, Everard t'Serclaes succeeded in driving the Flemish from the town and further ramparts were built to protect the city-dwellers. The arrival of Philip the Good, Duke of Burgundy in 1430, brought economic prosperity. Twenty years later, Brussels was considered the capital of the kingdom of Burgundy and became, under Charles V, the capital of the Low Countries. The death of his successor, Philip II of Spain who left no succession, brought with it numerous conflicts. In 1695, the troops of Louis XIV destroyed much of Brussels. The town finally came under Austrian domination until the French revolution. Administrative centre of the French département of Dyle from 1795 until the fall of Napoleon, and later one of the two capitals of the Low Countries, Belgium was declared an independent monarchy in 1830 with Brussels as its capital. The town then built up its industrial base. In the reign of Leopold II (1865-1909), commercial, administrative and financial activities grew and the city expanded into new quarters by incorporating surrounding towns. During the world wars, in which Belgium found itself at the centre, the city was miraculously spared from bombing. In 1958, Brussels expressed its willingness to embrace industrialisation by welcoming part of the European institutions and by organising a World Fair. Brussels, capital of the European Union and of Belgium, now consists of nineteen urban districts. It is the meeting point of the Flemish, Walloons and Brussels people themselves but also an international centre, which makes it a truly cosmopolitan city bubbling with excitement. It holds the title of the European city that every evening puts on the greatest number of shows per inhabitant. |
The central nucleus of the city is rich in historic buildings inherited from the Middle Ages (notably the Grand-Place) while vast modern districts overflow beyond the ring of boulevards that form the Brussels pentagon. A great mixture of styles is to be found in this city : Romanesque
Style Gothic Style
Flemish
Baroque Style Art Nouveau
(1893- 1910) Art Deco
(from 1920) |



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Brussels,
a
city bubbling with excitement
Some
Highlights / Food & Drink / Things to Do / Web Sites
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Brussels
Dishes Cheeses Pastries |
Belgian
Beer Worth visiting : Musée de la Brasserie. Chocolate Worth visiting
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- Festivals and Traditions The Fête du Bœuf Gras (end of March in Anderlecht) This festival, with a livestock competition, is a genuine folk event that includes exhibitions, processions, parades… and ends with a barbecue of roast lamb. The Ommegang
(first Thursday in July and the following day) Planting
of the traditional "Meiboom" (first Sunday in September
in Etterbeek) The carpet of flowers: A 25 by 75 m carpet, made of more than half a million flowers, decorates the Grand-Place in August every other year. The pattern is different each time. Festivals Festival
de Wallonie - www.festivaldewallonie.com Festival
de Flandres à Bruxelles "Mallemunt
Festival (during the summer) Concours
Reine Elisabeth (in mai) |
| Musées
Royaux d'Art et d'Histoire
- www.kmkg-mrah.be Musée
Royal d'Art Moderne - Place Royale 1-2 Musée
de la Ville de Bruxelles - Grand-Place Musée
du Théâtre Royal de Toone - Fondation Toone VII
- Impasse Schuddeveld 6 - www.toone.be
Centre Belge
de la Bande dessinée - 20 rue des Sables - www.brusselsbdtour.com/cbbd.htm |
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Royal Windsor Hotel Grand’Place - Hôtel
Carrefour de l’Europe Hôtel
Métropole |
- Great Chefs Trente rue
de la Paille Claude Dupont
Comme chez
Soi - Belgian Specialities Taverne
du passage Chez Patrick
Cave du
Roy |
| Brussels'
Tourist Web sites Cultural
Agenda Pictures
of Brussels Brussels'
Maps and
Travel itineraries Belgian
Recipes |